I was invited to judge Art in Print‘s Prix de Print, a bimonthly contest, for their July-August issue. From among the more than 30 high quality, anonymous submissions, I selected the print that most intrigued and captivated me. This turned out to be Stacey Steers’ Vital Signs, the very first print made by a Boulder-based experimental filmmaker who often incorporates her films into sculptural installations. Click here for my commentary.