Having had dinner last night with some friends and seeking, but not finding, a single article to send them this morning that succinctly summed up the artist, his career and international stature, his current L.A. exhibitions, and why I am gaga about both the man and his art, I am writing what follows. Ai Weiwei is the son of a famed Chinese poet who was exiled to China's northern provinces during the Cultural Revolution, where he was humiliated and subjected to forced labor. At age 19, after Mao's death, Ai and his family returned to Beijing, where he attended the Beijing Film Academy. He then spent over a decade in the United States, where he studied a bit, took photographs, absorbed the current American art scene, and experienced … [Read more...]
dOGUMENTA LA
If Clover, my 14-year-old Beagle had not eaten a bag of Milano cookies the night before, she and my white Golden Retriever, Breeze, would have come to a curator-led tour of dOGUMENTA, America's first art show for canines, held in Downtown L.A. As it was, Wesley, my Granddog, joined me and a small group from ArtTable in a walk-through led by Mica Scanlin and Jessica Dawson, who also curated its first iteration in New York last year. (Rocky, Dawson's Maltese-Yorkie mix, the third member of the curatorial team, was busy elsewhere). Interactive artwork in a wide range of media by 10 artists, most of them local, were presented. As an art historian, I have long acknowledged that my critical judgement tends to be suspended and is … [Read more...]
Birds of a Feather/Beall Center Exhibition
At this time of political turmoil, It Passes Like a Thought comes as a breath of fresh air. Focused on seven artists who employ avian imagery and themes, the title of the exhibition derives from a John James Audubon quotation that states, "When an individual [bird] is seen gliding through the woods and close to the observer, it passes like a thought..." Presented at the Beall Center for Art + Technology at the University of California, Irvine, and curated by Artistic Director, David Familian, the show offers works in a wide range of media that variously investigate avian flight, language (birdsongs, calls, and the ability to mimic human speech), habitats, and diversity, as well as issues of endangerment and extinction. As a center for art … [Read more...]
Sao Paulo Surprise
During a few days in Sao Paulo, I went to several museums and about a dozen far-flung galleries. Each had something to recommend it, whether the art or exhibition on view or the architecture or physical lay-out of the space, but nothing I saw or experienced surprised or captivated me as much as what I saw at MASP. MASP, the Museu de Arte de Sao Paulo, is a private, nonprofit museum founded by Brazilian businessman Assis Chateaubriand in 1947. Originally located elsewhere, it moved in 1968 into a Modernist structure designed by Italian-born Brazilian architect Lina Bo Bardi on Avenida Paulista, a busy shopping and business thoroughfare. The museum occupies a glass-walled rectangular box that is suspended high above the street … [Read more...]
Inhotim=Paradise*
I wept from joy 3 times during my 2 1/2 days at Inhotim. The first was in the gallery that houses Canadian artist Janet Cardiff's Forty Part Motet (2001). The piece consists of 40 speakers on stands that encircle an otherwise empty, large, white-walled space. A single horizontal window cut into one wall affords views of the abundant foliage outside. From each speaker comes the voice of one of 40 singers performing the sixteenth-century choral piece Spem in alium by Thomas Tallis. Although I have experienced this work before and have always been deeply affected by the tapestry of voices raised in sacred song, the rays of light streaming through the window and the slice of Eden glimpsed just beyond made immersion in the piece even more … [Read more...]
SUPERFLEX: Flooded McDonald’s at the Hammer
While the trailblazing exhibition Radical Women is a must see at L.A.'s Hammer Museum (and will be the subject of a later post), concurrently on view and of contemporary relevance is the 2009 film Flooded McDonald's, situated in a small plaza gallery. The 21-minute film was made by the artist collective SUPERFLEX, which was founded in Copenhagen in 1993, but is now based in Denmark, Sweden, and Brazil. The group's mission is to explore systems of power, global capitalism and trade, community relations, and more. I first became aware of the collective through their piece CopyLight/Factory (2008) in the Museum of Modern Art's Print/Out exhibition of 2012. Part of the group's ongoing "Supercopy Series," it consisted of computer and other … [Read more...]
proyectosLA: A Model Fair
Amid the hubbub and bounty of the Getty Foundation's Pacific Standard Time: LA/LA initiative is proyectosLA, a two-month long commercial art fair of remarkable quality, taste, and inspiration, which is housed in a converted downtown warehouse. Near the entry, a collection of small rooms radiating off communal office space serve as booths for 19 galleries from throughout Latin American and the U.S. that present select works by Latin American artists. The remainder of the 20,000 sq. ft. space is occupied by the exhibition Here the border is you, which is comprised of fascinating and distinguished work drawn from the 19 galleries. They are installed so as to elicit dialogues among the established and emerging, multigenerational artists … [Read more...]
Notes on Art Basel Hong Kong 2017
On our way to Seoul to attend a traditional Korean wedding (see photo at the bottom of this post), my husband and I stopped off in Hong Kong, where I attended Art Basel Hong Kong for the first time. I spent two days at the fair and still didn't see it all, but what follows are short notes on a few of the works that struck me and stayed with me. What those who attended the fair only on the Wednesday--the VIP day--may not have realized and what I found remarkable as someone who attended several iterations of Art Basel Miami Beach when it first began, is that when I went to the fair on the Thursday, the first day the fair (which is in its fifth year in Hong Kong) was open to the public, there were thousands of people waiting to get in--and … [Read more...]
Alex Prager La Grande Sortie
Upon entering the Lehmann Maupin Gallery on Chrystie Street on Manhattan's Lower East Side, you are greeted by applause. On a small video screen inserted into a large white wall, a seated audience faces you and claps. Most audience members are enthusiastic, while some appear distracted or bored. Nevertheless, you may well feel pleased, gratified, appreciated. It occurred to me that seeing this would be a lovely way to start each day. The video provides an introduction to Alex Prager's La Grande Sortie, an installation consisting of work related to the production of the Los Angeles-based artist's ten-minute film of the same title commissioned by the Paris Opera Ballet. (It may be recalled in this context that Prager's debut as a … [Read more...]
Underground Museum
An ArtTable Southern California event once again provided my first introduction to an extraordinary Los Angeles art space--the Underground Museum. It is situated in a series of connected storefronts on Washington Boulevard in Arlington Heights, a largely working class Black and Latino neighborhood in the heart of L.A. The space once served as the family home and studio of Noah Davis, a young African American artist who a decade ago began to achieve considerable renown for psychologically penetrating figurative paintings based on Black experience. Davis was also a gifted curator and in 2012 established the space as an alternative art venue for exhibitions and events, with primacy given to community engagement. His shows were brilliant, … [Read more...]
Doug Aitken: Electric Earth at The Geffen
If you currently have no plans to be in Los Angeles before January 15th, when Doug Aitken: Electric Earth closes at The Geffen Contemporary at MOCA, make them, as the exhibition is a must see (it will also be shown at The Modern in Fort Worth, May 28-September 24, 2017). The exhibition is well worth the journey as it itself presents a journey, one whose images and experiences will long be impressed upon the eye and mind. The forty-eight-year-old Aitken was raised and trained as an artist in the Los Angeles area--its landscapes, cityscapes and sunsets figure prominently in his art--and he has long been familiar with The Geffen, whose spaces he has reconfigured so as to offer multiple paths of exploration to his work of the past twenty years … [Read more...]
Mark Bradford: Scorched Earth at the Hammer Museum
In the way that Noah Purifoy's assemblage-based art had its source in the Watts Rebellion of 1965, Mark Bradford's artistic practice can be understood to have had its roots in the backlash after the Rodney King beatings in 1992, which Bradford experienced as a young man working in his mother's beauty shop in South L.A. For a gay, black youth, the police brutality and resulting race riots, which came at a time when he saw the AIDS epidemic running rampant around him, exerted an indelible formative influence. Since 2001, when Bradford emerged as a fully mature artist, his art has addressed injustice to African Americans, gays and women in an extension of the "Identity Politics" of the art of the late '80s and early '90s, but which … [Read more...]