Roni Feinstein

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Sao Paulo Surprise

January 18, 2018 By Roni Feinstein

MASP

During a few days in Sao Paulo, I went to several museums and about a dozen far-flung galleries. Each had something to recommend it, whether the art or exhibition on view or the architecture or physical lay-out of the space, but nothing I saw or experienced surprised or captivated me as much as what I saw at MASP.   MASP, the Museu de Arte de Sao Paulo, is a private, nonprofit museum founded by Brazilian businessman Assis Chateaubriand in 1947. Originally located elsewhere, it moved in 1968 into a Modernist structure designed by Italian-born Brazilian architect Lina Bo Bardi on Avenida Paulista, a busy shopping and business thoroughfare. The museum occupies a glass-walled rectangular box that is suspended high above the street … [Read more...]

Filed Under: Brazil, Latin American Art, Uncategorized Tagged With: Galeria Millan, Hammer Museum, Latin American Art, Luciana Brito Gallery, MASP, Radical Women, Roni Feinstein, Vermelho Gallery

SUPERFLEX: Flooded McDonald’s at the Hammer

September 28, 2017 By Roni Feinstein

Flooded McDonald's

While the trailblazing exhibition Radical Women is a must see at L.A.'s Hammer Museum (and will be the subject of a later post), concurrently on view and of contemporary relevance is the 2009 film Flooded McDonald's, situated in a small plaza gallery. The 21-minute film was made by the artist collective SUPERFLEX, which was founded in Copenhagen in 1993, but is now based in Denmark, Sweden, and Brazil. The group's mission is to explore systems of power, global capitalism and trade, community relations, and more. I first became aware of the collective through their piece CopyLight/Factory (2008) in the Museum of Modern Art's Print/Out exhibition of 2012. Part of the group's ongoing "Supercopy Series," it consisted of computer and other … [Read more...]

Filed Under: Los Angeles, Uncategorized Tagged With: Flooded Mc'Donald's, Hammer Museum, Roni Feinstein, SUPERFLEX

John Outterbridge: Rag Man

January 11, 2016 By Roni Feinstein

John Outterbridge

Among the recent works by John Outterbridge on view at Art + Practice in Los Angeles are two very different series of modestly-scaled, wall-mounted assemblages, each of which evokes aspects of the African-American experience.  One is sculptural in nature, the works being made with a wide assortment of castoff objects; the other is aligned with painting, the pieces consisting both of flat and "stuffed" (puffy) pieces of fabric painted in bright colors. Both series consist of works that appear to have been constructed in a most casual and offhand manner.   Although contemplation reveals that formal and conceptual clarity underlies these works, their literal scrappiness and wholly unpretentious (almost Outsider Art) nature is fundamental to … [Read more...]

Filed Under: Los Angeles Tagged With: African American art, Art + Practice, Assemblage, California Assemblage, Hammer Museum, John Outterbridge, Junk Dada

Njideka Akunyili Crosby on the Rise

November 30, 2015 By Roni Feinstein

If you haven't yet heard the name Njideka Akunyili Crosby, then you haven't been paying attention, as she is a young (32-year-old) Los Angeles-based artist on a meteoric rise and her work is phenomenal--the most jaw-droppingly wonderful and accomplished work I have encountered in an age.  That said, I walked right by it at the New Museum's 2015 Triennial: Surround Audience, where both her two paintings on view and I were overwhelmed by the hubbub.  Akunyili Crosby has since gone on to have simultaneous solo exhibitions at L.A.'s Hammer Museum and Art + Practice and to win the Studio Museum in Harlem's Wein Prize.  As of November 23, 2015, a billboard entitled Before Now After (Mama, Mummy and Manna), which reproduces one of her paintings, … [Read more...]

Filed Under: Los Angeles Tagged With: African American art, Art + Practice, California Assemblage, contemporary art Beijing, Hammer Museum, Jamillah James, Njideka Akunyili Crosby

Mark Bradford: Scorched Earth at the Hammer Museum

August 20, 2015 By Roni Feinstein

In the way that Noah Purifoy's assemblage-based art had its source in the Watts Rebellion of 1965, Mark Bradford's artistic practice can be understood to have had its roots in the backlash after the Rodney King beatings in 1992, which Bradford experienced as a young man working in his mother's beauty shop in South L.A.   For a gay, black youth, the police brutality and resulting race riots, which came at a time when he saw the AIDS epidemic running rampant around him, exerted an indelible formative influence.   Since 2001, when Bradford emerged as a fully mature artist, his art has addressed injustice to African Americans, gays and women in an extension of the "Identity Politics" of the art of the late '80s and early '90s, but which … [Read more...]

Filed Under: Los Angeles Tagged With: African American art, Hammer Museum, Mark Bradford, Roni Feinstein, Scorched Earth

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